Willow: Wonderland

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Spoilers below for the Buffyverse comics. 

Joss Whedon introduced me to the comic world with Fray, and then with Buffy, Angel After the Fall, and Angel and Faith. Oh, and the Serenity and Dollhouse comics. Basically, if Whedon writes/directs/creates something, I consume it. But not without judgment. Buffy Season 8 was, ultimately, rather disappointing. The Twilight storyline… yeah… if it hadn’t been Whedon, I wouldn’t have kept reading. Even he nearly lost me though when Buff and Angel were having acrobatic flying sex… but I stuck it out… and I’m enjoying the journey. Whedon himself has admitted he made some mistakes with Season 8, and he’s making up for it in Season 9, which I’m enjoying much more. I also enjoyed Angel After the Fall, but I’m loving Angel and Faith even more. (And I must briefly mention – of course Giles’ soul was claimed by Eyghon when he died! Brilliant development going on over there). The comics have gained their footing, and the world is expanding in great ways. And I actually think the greatest piece is the Willow miniseries I finally had the chance to read. Whedon was the exec producer, and I’d love to know how much he poured into the storyline… because everything from the Zen Caterpillar – whom we learn Lewis Carroll based his caterpillar on – to Willow’s self discovery was fucking awesome.

We’ve been watching Willow grow and struggle with magic since the early days of Buffy the Vampire Slayer. She really has a chance to shine in this comic, sans Buffy and pals. On her own, we see a confident, strong witch – but she’s never stopped struggling with her Dark Willow past. The early appearance of the Zen caterpillar tells us that we’re going on a journey inwards, a mythic journey about the light and the dark (only seeming opposites; Joseph Campbell’s hero journey shows us that the hero will transcend these) and real power (it comes from within, as the Eastern traditions teach). So, of course, Marrak was Rack! I should’ve seen it coming. She had to battle one last element from her dark past – she’s already confronted her demons with Amy and Warren, so this was the last step for Strawberry to claim all parts of herself, light and dark, and give something back to the world.

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This quest has been building for Willow for years, and I’m eager to see its payoff as she returns to Buffy’s comic with the Slayer’s Scythe – which, awesome sidenote, is the frickin’ counterpart to Excalibur!!

Happy Birthday, Joseph Campbell

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There is no other writer/thinker/scholar/mythologist who has had as big of an impact on me as Joseph Campbell. His notion of following bliss was introduced to me during a turning point in my life when I was an undergrad. Following my bliss led me to into two master’s programs that transformed me. The first master’s program led me into my career; the second led me into my very being. Beginning with the works of Campbell, I have discovered exciting realms of mythology, scholarship, psychology, psyche, and bliss. For more than a decade, his words have inspired me to make leaps of faith and follow unpaved paths.

Happy 109th bday, Joe!

Life After Grad School

DSCN7346I’ve spent 70% of my adult life in college. And now……… I’m done! This is kind of a strange transitional period for me though. I barely know life without school! (Though as a teacher, I guess I won’t be too far removed from it ;) ). I’ve just finished my final graduate school paper, and in May I’ll be walking for my second MA. It’s exciting, but it’s also a big life change. This particular two-year-program I was enrolled in at Pacifica took me about four years to get through with the various ups and downs of life. And though I’ve written my last five research papers over the last couple quarters, I haven’t had any regular time on campus since the end of summer… and I’m really missing that community! The experience of Pacifica is something that’s almost difficult to put into words. The courses, the materials, the instructors, and the students really are a rare breed here. Delving into mythology and psychology and exploring so many rich areas inevitably affects the psyche and the very being a person. It’s about so much more than academia. Working with this material and going through this passage of my life has molded every aspect of my being. Makes it hard to say goodbye to the program and the people (though a big YAY for social networking keeping this commuter community connected)…. of course I’ll always be able to return for other campus events and seminars… but it will be different.

So, I’ve come to realize it’s a bittersweet celebration.

I am very excited about saying goodbye to homework though! Of course, I enjoyed the coursework and loved just about everything I read, but it did consume a lot of time that I am looking forward to having back. I’m particularly excited about reading anything I feel like! Though I realize with all the grading I always have to do, I’ll never really have all the time I like to fantasize about having with all my books, which I’ve recently re-organized. The picture to the right shows all the books from I bought during my graduate program. Once I was done making working piles out of them in my office, I got to organizing them. Amazing to see it all together.

And the pic below shows all the books I’ve bought/received in just the last 14 months. Each one was selected with the thought, “I’ll read this next!” And the pile, of course, just kept growing. Still haven’t decided what I’m actually going to read first!

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In addition to reading, there’s other things in life I’m eager to dig into. There are many things I’ve been interested in learning or doing over the years, and I always tell myself, “I’ll do that when I’m done with school!” This includes learning sign-language, learning to sew, and learning how to really cook more than spaghetti and quesadillas. I also want to catch up on TV shows that started when I was in grad school that I never got a chance to check out. Fringe & Castle are on the top of that list. Other projects I want to take on include taking agility classes with my pup and tagging the last decade of digital photos.

More importantly, though, what I’m really excited about is spending more time at home with my hubby, working on our various house projects, and spending more time with all of our extended family. Since I commuted to school and was out of town once a month, there were some events I wasn’t here for. And there were many others I just couldn’t make, or really enjoy, because I was so swamped with homework and research. And, of course, the biggest step and most important thing we’re now focused on is starting a family of our own.

For now, I’m going to enjoy the liminal space I’m in and embrace whatever life has to offer next. Thanks for reading. Namaste.

© myth_girl

© myth_girl

Myth and Literature

In celebration and honor of passing the comprehensive exams in my Master’s program in Mythological Studies and Depth Psychology, I’m sharing each essay I wrote. Here’s my second piece. This was a very open topic. I had to discuss a piece of literature from a mythological perspective. I decided to tackle something I’ve had a personal struggle with: Frodo’s final action in The Lord of the Rings. I already know many disagree with my analysis here, as small chats with close friends have revealed. I’m not looking to argue my point. This is just the way I see Frodo. I wrote this with the following comment from one of my profs in my mind: “You are such a competent, clean writer that I sometimes wished for something a little riskier or edgy.”

The Role of the Monomyth in The Lord of the Rings

 The Lord of the Rings is hailed as one of the greatest pieces of literature from the twentieth century. It also functions as a beautiful mythology. It contains a supernatural realm, heroes, personal and collective journeys, and battles between good and evil. Though the characters range from hobbits to elves, they are akin to humans and share our experiences with life and death and all the emotions in between. Like any great myth, The Lord of the Rings transcends time and depicts the human condition. One of the central features of any myth is the hero. There are many heroes in The Lord of the Rings as nine members volunteer in The Fellowship of the Ring to take the ring to Mordor to be destroyed. Along the way, they meet many other admirable and fine characters who aid them in their quest. The quest to destroy the ring and save Middle Earth is the main storyline of the trilogy. The ring bearer, Frodo Baggins, is arguably one of the predominant main characters in this epic story. He is the one who carries the weight of the ring, and the safety of Middle Earth rests on his small, humble shoulders. A close examination of Frodo’s movement through Joseph Campbell’s monomyth reveals that although Middle Earth is saved, Frodo himself is a failed hero.

Joseph Campbell’s monomyth, famously defined throughout his text The Hero with a Thousand Faces, provides the structure that he found to exist in mythologies across time and cultures. The monomyth tracks the pattern of the hero on a quest. Campbell indicates that the patterns may shift in order and be presented in various ways, but accentuates that all mythological heroes must move through a separation, initiation, and return. Frodo certainly embarks on a quest that separates him from his known world, is initiated through his road of trials, and returns home. However, Campbell also emphasizes the inner journey that must occur on this heroic quest, and it is from that perspective that Frodo fails.

Frodo’s call to adventure begins when the wizard Gandalf asks him to get the ring out of The Shire, the simple hillside where he and the other hobbits live. Frodo’s initial aid is his friend Samwise Gamgee. They are soon accompanied by Frodo’s cousins Meriadoc Brandybuck and Peregrin Took. Frodo’s crossing of the first threshold occurs when they nearly encounter Ringwraiths in The Shire and flee into the Old Forest. The small hobbits are leaving their known world and really beginning their adventure. They continue to travel to new places, as when they enter Bree, but they always receive assistance when needed. In the Old Forest they meet the helpful spirit Tom Bombadil, and in Bree they meet the ranger Aragorn, who remains by Frodo’s side through the first book of the trilogy. Frodo’s separation is clear and follows the elements mapped out by Campbell.

As the hero continues the quest, he will be immersed in the belly of the whale and go through a road of trials. The belly of the whale provides that final separation from the world the hero came from. In the Shire, Frodo had nothing to fear and knew nothing of pain. But on the hill of Weathertop, Frodo is mortally stabbed by a Ringwraith. The injury consumes Frodo as he falls into a world of shadows. Frodo is taken to Rivendell and saved by the elves, but this encounter has truly marked his initiation. The Fellowship of the Ring is then formed in Rivendell, and he gains a total of eight companions. Together, the fellowship undergoes many hardships. Frodo, specifically, nearly faces death again in the Mines of Moria and loses his companion, Gandalf, to a demonic Balrog. Frodo and the remainder of the Fellowship find refuge, again from elves, in Lothlorien. It is here where Frodo has his meeting with the goddess, as Campbell phrased it. The goddess is represented by the great elf Galadriel. She fills Frodo with hope and also offers him and each of his companions a supernatural aid. Though Campbell indicates supernatural aid is received in the separation phase of the journey, this departure from the monomyth demonstrates that the different elements can appear in varying order. Through the separation-initiation-return path, the hero can be tossed about between aids and trials various times.

A key element seen in the hero’s trials is temptation. This often takes shape with the woman as temptress, but is ultimately anything that tempts the hero to wander from his quest. The ring itself provides Frodo with the greatest temptation imaginable. Forged by Sauron, the ring seeks to do the bidding of the dark lord. If Frodo puts the ring on, he can be seen by Sauron and the Ringwraiths. Caving into this temptation threatens his very life and the future of Middle Earth. However, the desire to wear the ring grows heavier and heavier as Frodo continues to be the bearer of the ring.

Through the trials the Fellowship faces, Frodo flees from his companions and seeks to go to Mordor alone, though he is accompanied still by his dearest friend, Samwise. Throughout the novel, readers become aware of Gollum, another creature drawn to the power of the ring, who wore it for years, hidden away in a cave. When Frodo and Sam catch Gollum following them, they capture the pathetic creature. Out of the mercy Frodo learned from his uncle, Bilbo, Frodo never harms Gollum. Driven by the power of the ring, Gollum later tries to have Frodo killed by the giant spider Shelob. Though his attempt fails, he escapes the hobbits and eventually Frodo and Sam enter Mordor with the ring alone.

In Campbell’s monomyth, after undergoing the various trials of initiation, the hero experiences apotheosis. This can consist of a literal or figurative death, but the hero ultimately unites opposites and achieves his quest. This should be followed by receiving a boon to disseminate to the world and ultimately end with the hero returning to the home he left at the beginning of the myth. Often this return includes the hero refusing to return and being rescued from without. This is an important component to the monomyth and to the personal development, typically a form of individuation, which the hero is to achieve.

After surviving many life-threatening experiences, Frodo and Sam enter the Cracks of Doom, their ultimate destination. Now, Frodo must simply toss the ring into the fires to defeat Sauron and protect all of Middle Earth from the return of his evil reign. At this climatic moment, however, the power of the ring finally possesses Frodo, and he places the ring on his finger. He has claimed the power of the ring for himself and abandoned his quest. The weight on him has been very heavy, and it is unfortunate that he surrenders when he is so close to such a great achievement. However, Tolkien then provides what he coined a eucatastrophe: when all seems lost, there is a sudden turn of events. Gollum, spared by Frodo’s mercy, shows up unexpectedly, attacks Frodo, and claims the ring. In his unbound enthusiasm, however, Gollum falls into the pits of the fire with the ring, thus destroying himself, the ring, and Sauron. Frodo completed his quest in getting the ring to Mount Doom, and he carried a heavy weight on his shoulders throughout the book; however, ultimately the weight of the ring was too much for him to bear. Middle Earth was saved by chance, which was made possible by Frodo’s mercy (an action that speaks greatly to Tolkien’s Catholic background). Nevertheless, Frodo failed to achieve apotheosis, wherein the hero recognizes the divine within himself.

Frodo and Sam do continue on the hero’s journey when they receive rescue from without and, after more trials, are able to return to their home in The Shire, which is unfortunately not in the condition they left it in. With the aid of the other hobbits, Frodo and Sam are able to reclaim The Shire and restore peace and happiness for its inhabitants. Throughout Middle Earth, there is much joy. Other main characters survive the battles, including Gandalf, who returns from the pits of Moria where he had been consumed. The couple Arwen and Aragorn and the couple Eowyn and Faramir are granted a standard happily ever after. Middle Earth has been saved, for everyone except for Frodo. He does not get to become the master of the two worlds, as Campbell indicates. His physical and psychological scars are too deep. Frodo has been returned, but he remains broken. After trying to maintain life in The Shire, Frodo decides he cannot remain there. He lives in great pain, and his time with the ring has extended the length of his life. Accompanied by Bilbo, Frodo sails to Valinor, the Undying Lands. Valinor is the land of the elves, and they have granted Frodo and Bilbo, both ring bearers, safe passage for the weight the ring had on them both. The elves mercy, like Frodo’s mercy for Gollum, grant him a place to find peace and finally find recovery.

The Lord of the Rings offers an undeniable mythology with a variety of characters whom can each be explored in their own right. Frodo is often heralded as the hero of the story, so it is important to examine how he fits the role. Campbell has demonstrated the importance of the hero and outlined the hero’s typical journey. This journey has occurred in mythology time and time again throughout all cultures. It is a significant journey, and one that will have variations. The variations Frodo experiences in the return, however, indicate that the mercy he granted Gollum led to the final defeat of Sauron, but that his personal failures prevented him from gaining the personal boon of the hero.

Works Consulted

Campbell, Joseph. The Hero with a Thousand Faces. Princeton, NJ: Princeton, UP. 1972.

Tolkien, J.R.R. The Lord of the Rings. Boston: Houghton Mifflin, 1967.

Happy Birthday Herman Melville

Today is the 193rd birthday of Herman Melville! Here’s a brief list of some cool things I’ve seen on the net today. Most importantly, they reflect what an impact Moby Dick has had on our culture for the last century. If you’ve yet to dig into this grand epic, today is a great day to start. You can even download it to Kindle for free!

8 Areas of Culture ‘Moby-Dick’ Influenced

Moby Dick Lives

Melville Family Day at Whaling Museum celebrates author’s birthday

Benjamin Wood: The silent grass

Every Page of Moby-Dick, Illustrated

And, in case you missed it, here’s my blog post with video and pictures from the whale watch I was blessed to go on in June.

*Special thanks to Cynthia for the great link this morning and a world of thanks to Dennis for introducing me to the great white whale.*

The Hero’s Journey

I deeply enjoyed Steven Pressfield’s The War of Art when I read it last year. Following that same thread, he has just released the new book Turning Pro: Tap Your Inner Power and Create Your Life’s Inner Work. Sounds great! Can’t wait to get a chance to read it! (And a big thanks to my super cool uncle for telling me about it!) I recommend Pressfield’s books to all my fellow writers/artists/creators out there! In other words, to EVERYONE! We all have the potential to create.

Excited about the release of the new book, I was perusing Pressfield’s site and discovered he’s recently been blogging about Joseph Campbell’s hero’s journey! It all began in his post The Hero’s Journey, Pt. 1 where he reflects on Campbell and introduces his reader to the hero’s journey. In his second post, The Hero’s Journey in Myth, Pressfield reflects on the components on the hero’s journey and considers how this may be hard wired in each of us. In the third installment, The Hero’s Journey as Screenplay, Pressfield looks at one of my personal favorite mediums for myth. He reflects, “The hero’s journey, in myth or in movies, reflects a primal template of the human heart. It describes how life really works.” In his fourth post, The Hero’s Journey as Boot Camp, Pressfield discusses how his discussion on the hero’s journey in the previous weeks is applicable to our daily lives. He indicates that we can choose and create our own “artificial” journeys by deciding what we want to learn and what we want to become. More mythically, he also identifies the “authentic” hero’s journey: “The real hero’s journey arises from the unconscious imperative of our own hearts, which is by definition unknown to us.

Throughout these posts, Pressfield identifies some of the key attributes of the hero’s journey as he reflects on how Campbell has impacted his own life. I key in with excitement any time anyone mentions Campbell as he has been such a powerful force in my life and academic journey. I study mythology because of Campbell, and Pressfield can show you some of the reasons why his work is so compelling! I look forward to more of his thoughts in his Writing Wednesdays.

The Hunger Games

I want to start by saying I’m not wearing my academic hat right now. This is not a literary analysis or critique or any kind of formal review. This is a complete emotional response to the end of The Hunger Games: Mockingjay. I haven’t read any reviews or critiques of the series or talked to anyone else that’s finished the series. I am eager to hear what others think and how they Mockingjay has been widely received. And maybe I’ll like the final installment more after I simmer down. I just finished the book last night and for now I just want to share my initial emotional response. This will stick with me for a while, just as the end of Harry Potter and The Half-Blood Prince did.

If you haven’t finished the trilogy, please don’t keep reading. SPOILER ALERT!!

I’ve been listening to The Hunger Games trilogy on audio over the last couple months during my trips to school and back. I was hooked immediately. I particularly enjoyed listening to this trilogy because of the first person narration. Katniss became so much like a personal friend to me, joining me on these long drives and telling me her story. After finishing The Hunger Games and Catching Fire, I never expected Mockingjay to have a happy ending. I assumed the Rebels would win but that lives would be lost along the way. We’d already had many losses, including the most tragic losses of Rue and Cinna. But I didn’t expect quite so many lives to lost in Mockingjay. The first one that seemed particularly sad was Beetee. The next one to really hit me was Finnick (especially because of his love story with Annie. And of course this was made even MORE wrenching when you later learn Annie is pregnant). But, I suppose these deaths were reasonable. It was war, and they were on the front lines. Unfortunately, it’s the price that’s paid. I’m not really upset about these deaths in the story…. just reflecting back on some of Mockingjay‘s sadness, which seems exacerbated now by the biggest loss of all.

Prim’s death. That just crossed a line for me. From the moment Katniss volunteered at the reaping in The Hunger Games, Prim was her motivation and her truest love. For Katniss to lose her… for Katniss to witness it… was unbearable. From the start of Mockingjay, the story became much grimmer. And it had to, really, given that the stakes were so high. But the post-traumatic stress Katniss was suffering (“My name is Katniss Everdeen. I am seventeen years old. My home is District 12…”) combined with the continual stress and trauma she suffered… it was just so intense. So tragic.

If you know me, you know I’m NOT in favor of censorship AT ALL. So what I’m about to say is not at all an indication that I believe that The Hunger Games should be pulled from schools or libraries for kids. But, what I want to say is that, by the end of Mockingjay, I found myself rather stunned that this is young adult lit. It’s hard to say where the line is for YA. Some say as young as 10. Some say as old as 25. But I can’t imagine anyone younger than Katniss (17) reading this book. Again, I’m not saying it should be censored. I just don’t think it’s for kids. Just in the same way, for example, that I don’t think kids should watch The Walking Dead. It’s just too much. Too many grown up themes. Too much violence. Maybe I’m too sensitive. But knowing how this book has affected me at 31, I can’t imagine how it would have hit me at say 12 or so.

Prim’s death was tragic, but what happened after that was even more tragic. For Katniss to become an assassin (not that I support President Coin) was honestly such a sad thing. Even though she had killed others, she did so because she had to. Now, again, I don’t support Coin. And I was glad she wouldn’t become the president, would not get to run another Hunger Games… but for Katniss to have to be the one to make that decision… and then to want to commit suicide after. I think that’s when it really got too dark to me. Katniss had been, really, at this point, manipulated SO much by The Capitol, by District 13, by Snow… the heroic qualities I had seen in her were gone. She was not the strong mockingjay. She was a pawn, beaten, abused, battered, and utterly broken. The war was won, but her spirit was lost.

I finally broke down in complete tears when Buttercup came home looking for Prim, and Katniss screamed at him that Prim was dead. That felt to me to be such a moment of despair. Knowing the bond of sisters, knowing the bonds of pets and their owners. So much was lost here.

Oh, and then the loss of Gale. Even if he made the bomb that killed Prim, it would have certainly never been his decision to kill children, especially Prim. For that to be the thing that ripped apart their years of friendship… for her to lose her sister and her best friend…

So, finally… the epitaph felt trite. Sure, Katniss and Peeta survived. But he too would have opted for death many times. (And I’m very concerned about the desire for suicide that was present in this final novel). Seeing Peeta’s disintegration… “Real or not real?” He underwent even more trauma than Katniss did. They were so scarred, so deeply wounded, so psychologically damaged. Sure they had each other and grew to have children. But for Katniss to explain to her children why she still had nightmares… the games would always be with her.

I think the story really greatly what we’re doing when we send our young men and women into combat and bring them back, possibly to their families, but really never “home” again. Never safe again. So psychologically wounded. It’s absolutely tragic. And I felt that – despite the fact that Katniss lived and that Capitol was overthrown – there was NO hope left. Hope was killed with Prim. And my initial feeling when I broke down with Katniss and Buttercup was a strong desire that I had never started reading these books.

Last week I bought a mockingjay pin and wore it with pride. It made me feel connected to Katniss, a strong warrior. Now I don’t even want it. It breaks my heart. I think of Katniss and her description of her melting wings when she caught on fire… of that brokenness that no time can heal… and I want nothing to do with that symbol.

Whedon Week

Joss Whedon: The Complete Companion hit the bookshelves today! And what wonderful timing with The Avengers coming to US screens in just a few days! Whedon is everywhere in the news, and I think this is giving The Complete Companion some extra attention as well.

In case you haven’t had your fix yet, here’s another list of articles that review and/or mention the collection.

Doom Digest: Community, Star Trek, Alex Ross, Poe, Creature, Joss Whedon

Why does Joss Whedon always kill the characters we love?

The wonderful (and complex) world of Joss Whedon

Joss Whedon: The Complete Companion – Exclusive excerpt